Art Endures

I was in 6th grade at William Sydney Mount Elementary School in Stony Brook, N.Y. when Elton John released the album “Captain Fantastic & The Brown Dirt Cowboy.”

I loved Elton and The Beatles, but by 1975 The Beatles had been broken up 5 years and Elton was at the height of his creative powers and still releasing new music. I “missed” The Beatles by being too young to appreciate them when they were active, but Elton…well Elton was cranking out the hits just about the time I was getting heavily into music.

By sixth grade, I was already a failed musician after three years of playing a horrible clarinet in the Setauket School band. Once again, we had moved and I was the new kid in school anxious to make friends and establish my credentials as one of the cool kids in class—or more realistically at least not one of the nerds.

So I brought my Captain Fantastic album to a school party but as soon as I got on the bus, I began to worry about whether my prized possession would make it back home intact. Could I smuggle it in past the bullies on the bus and would it survive the elementary school issued turntable with the needle that hadn’t been changed since A Hard Day’s Night was released in 1964?

Of course, when you’re a sixth grader trying to make an impression on three or four girls in your class, these little details go unnoticed until you are faced with them.

Suffice it to say, Captain Fantastic survived the short bus ride and made it safely into my desk which had a top that lifted up to provide storage.

As for the party, the Captain made it through intact. I explained to the 11 year-old DJ that albums had to be handled by the edges to avoid smudges and the needle had to be placed gently on the opening track which was “Captain Fantastic and The Brown Dirt Cowboy.”

My sensitive mission was a hit and I left the holiday party with the phone number of one of the girls in my class. Now, she wasn’t any of the three girls I liked, but it didn’t matter. Elton delivered.

I got the album home and I still have it, much to the chagrin of my significant other who wonders why I can’t part with my vinyl even though I haven’t played a record in years.

Predictably, the relationship that came out of the sixth grade holiday party ended well before Valentine’s Day. But my relationship with Elton John and a generation of 60s, 70s and 80s rock stars endures to this day.

We saw Elton recently on his “Farewell Yellow Brick Road” tour which ran through South Florida with a nearly three hour concert that featured a whole lot of hits and a slew of memories. To Elton’s credit, he could have played another three hours and not performed all of the songs that his fans love. Also to his credit, he still has the chops—as a piano player, singer and performer. He was accompanied by two of his original band mates, drummer Nigel Olsson and guitarist Davey Johnstone who still rock. It was a night to cherish. And we will.

I’m enjoying a rash of farewell concerts by the greats of my youth all of whom are making South Florida stops on their way to retirement. We saw Paul Simon, The Eagles (with Glenn Frey) and in a few weeks we will see Roger McGuinn and Chris Hillman of The Byrds (who are not retiring). The Rolling Stones are kicking off a tour in Miami in April, we just saw David Byrne of The Talking Heads and travelled to Broadway to see Bruce Springsteen who better not ever retire.

Even for those who haven’t announced a farewell tour, you get the sense that it could be the last time. After all, as The Stones once sang “time waits for no one.”
Indeed, it doesn’t.

Going to these shows is a mix of joy, melancholy, memories and hope. It’s truly exciting to see the greats up close. Every generation says its music is the best ever, but in our case it truly is. (wink).

Sure it’s a little bit sad to see your hero’s age and step aside, especially when they still exhibit so much skill and talent. You want to tell the universe to give these folks a pass and keep them around because they are so amazing. But the memories are powerful and everlasting—like the music that was produced.

The songs—oh the songs—they brought us hope, they made us dance, they made us smile, they moved us and continue to do so.

There’s not many things that your 11 year old self would agree with your 54 year old self on—except maybe baseball and rock and roll. That’s the power of art.

It lasts. I think forever.

 

 

 

Greetings From Asbury Park

The boardwalk in Asbury Park, N.J.

I’ve always wanted to go to Asbury Park.

So last week we made the trip.

We loved it.

As we toured Belmar, Ocean Grove, Asbury, Allenhurst, Freehold, Neptune and Colts Neck one thought was top of mind: New Jersey might have the world’s worst PR, because the reality far, far, far outstrips the perception.

New Jersey is breathtakingly beautiful (that’s right)  with a magnificent coast, incredible neighborhoods, vibrant cities and architecture that makes you pull over and stare.

Asbury Park has always held a place in my heart and  imagination thanks to its association with my musical heroes Bruce Springsteen and The E Street Band.

I’ve read a few books about the boom and bust history of Asbury Park and the musicians who helped to put the place on the map.

So I was curious to explore the tiny (1.5 square miles) city.

Asbury has a pretty boardwalk, a beautiful beach, some amazing seaside bars, wonderful architecture, a hip hotel, a really nice downtown and some terrific restaurants.

But what sets it apart is its vibe.

Asbury Park is a town that seems to be built on rock n’ roll.

From rock photographer Danny Clinch’s “Transparent Gallery” and the Sound Booth lounge at the Asbury Hotel to the live music at Asbury Lanes and the renowned Wonder Bar—music is everywhere.

This weekend, Asbury expects 20,000 people for the first Sea. Hear. Now. music festival with big names like Social Distortion and Brandi Carlile coming to town to rock the shore.

Asbury is a town building on its roots—its glory days as evidenced by the Paramount Theatre and a grand boardwalk and a musical heritage which includes Springsteen, Southside Johnny and so many great bar bands.

Off the boardwalk, we found a nice downtown, especially Cookman Avenue which featured some interesting retail (a bookstore!, an adorable cinema and a tea house featuring cats—yes cats—called Catsbury Park) and some amazing restaurants. (If you visit, run don’t walk to Taka, it’s as good as it gets).

The surrounding towns feature block after block of really beautiful homes, Victorian gems that make you realize that Florida missed a golden opportunity by allowing so much cookie cutter housing to be built.

When visiting a place it’s important to consider its history and to see what’s in front of you. But it’s also important to understand its psychology, what drives a place. It’s critical to understand not only the reality but what the aspirations of a place are.

You can do this by observing who’s in town—what kinds of people do you see buying homes, opening businesses and investing in a place.

You can supplement what you see with a little reading—local newspapers, real estate publications, even what the hotels are saying about the town in their marketing materials.

And that’s where Asbury gets really interesting.

This little city with a rich history and a very cool present has aspirations.

Asbury is an ambitious place with a goal of becoming a nationally renowned cultural mecca built around music, art, festivals, great restaurants and a sense of place. Sound familiar?

The local press celebrates this ambition with profiles of entrepreneurs building web businesses, opening bakeries, planning music festivals, opening unique restaurants and creating boutique accommodations that pay homage to the area’s history and vibe.

One of the urban pioneers that seems to loom large is famed rock photographer Danny Clinch who has a very cool gallery attached to the ultra-hip Asbury Hotel. Clinch is arguably the most acclaimed music photographer around these days. He has chosen Asbury Park to not only show off his incredible portfolio but also to grow the city’s cultural brand.

The Sea. Hear. Now. festival is probably the most ambitious attempt so far. But the gallery itself is more than just a gallery. It’s a live music space where the local creative community can meet, grow and find encouragement and an outlet.

In many ways, I saw some parallels between Asbury Park and Delray Beach circa 1980s through early 2000s.

The emphasis on culture, food, beverage, festivals, tourism, entrepreneurship. The aspiration and hunger to fix and invest in neighborhoods and commercial districts. The willingness to take some risks. The presence of visionary pioneers with dreams and ambitions. The passion to make something happen.

I can’t comment on the politics of Asbury. But the truth is you need both the private sector and the public sector rowing in the same direction to make change and realize ambitions. It doesn’t work if volunteers, business owners and residents are out of step with local government or vice versa.

Towns need their Danny Clinch’s for sure. But they also need their elected officials and city government’s help too.

 

 

 

 

Art Endures: So Does Social Infrastructure

The legendary Paul Simon is on a farewell tour. He visited South Florida for a final show at BB&T.

I’m at an age where my childhood heroes are— how can I be delicate– terming out so to speak.

It seems like every concert I attend these days is part of a “farewell tour” and I have some anxiety every time I hit the “obituary” link on my New York Times app.

Yet, I feel compelled to visit the link because I don’t want to miss the passing of people who meant something to me along the way.

Recent weeks have been especially difficult: we’ve lost Burt Reynolds, the wonderful Neil Simon, Aretha Franklin, John McCain and character actor Bill Daily—Major Healy on “I Dream of Jeanie” which was on every day in my house when my sister and I were growing up. In ways large and small, these people played roles in our culture and therefore our lives.

Politics are important, but politicians come and they go. They may leave a wake—policies may benefit  and they can certainly harm– but the cycles keep coming. But culture endures.

We attended the “farewell tour” for Paul Simon last weekend when it rolled into the BB&T Center in Sunrise.

He played new music and some songs that were 50 years old. They all sounded good, but the older songs still resonated, they were still relevant and they still rang true.

The final song of the night was “American Tune” which was written in 1973. The song is as meaningful today as it was 45 years ago.

“Still when I think of the road we’re traveling on I wonder what’s gone wrong. I can’t help it I wonder what’s gone wrong”.

In introducing the song, Mr. Simon spoke briefly, but his few words spoke volumes.

“Strange times,” he said drily. “Don’t give up.”

We won’t.

I know every generation thinks they have cornered the market on musical genius, but I think the Baby Boomers really did.

We grew up amidst an explosion of musical talent and their music has invaded our pores and informed our thoughts and views of life.

Don’t believe me?

Then consider: The Beatles, The Stones, The Beach Boys, Springsteen, Led Zeppelin, U2, Pink Floyd, Jimi Hendrix, The Who, The Byrds, CCR, The Band, Stevie Wonder, Aretha, Neil Young, Smokey Robinson, Dylan, The Dead, Elton John, Billy Joel, the Allman Brothers, The Kinks, Bob Seger, John Mellencamp, Fleetwood Mac, Queen, Earth Wind & Fire, The Temptations, Michael Jackson, Paul Simon and on and on she goes.

Oh I like new music too and seek it out regularly. But our golden age will be hard to match. The world has changed, there is no longer any water cooler, no multi-format radio stations that everyone listens to—we are tethered to our devices and our Spotify song lists. We have convenience and music on demand, but we have lost that common experience. Nobody is home at Graceland anymore.

We all knew what happened when “me and Julio” went down to the school yard and we surely knew what it was like to listen to “Dazed and Confused” while drinking warm beer with friends on a hot summer night. We have traded Budweiser with our buddies for earbuds and solitude. And it makes me a little sad and more than a little nostalgic….

Then, over the weekend, I read about a new term: “social infrastructure.”

I love it.

The author lamented the loss of “social infrastructure” in our cities—places like libraries, places like Old School Square and Patch Reef Park—“palaces for the people” is what the author Eric Klinenberg calls them. I love that phrase.

We ought to start thinking of our public spaces that way. It may be more important now than ever to tend to the commons before they go away and we physically meld with our cellphones and social media platforms. A new study released this week says that teenagers prefer to relate to their friends on their devices rather than in person. Think about that…it’s disturbing.

Regardless, this is a ramble. And I appreciate you reading this far.

From Major Healy to Old School Square we’ve covered some ground…but this drift was anticipated by the likes of Paul Simon when he sang (way back in 1967):

“Where have you gone, Joe DiMaggio

Our nation turns its lonely eyes to you

What’s that you say, Mrs. Robinson

Jolting Joe has left and gone away.”

Yes, he has.

I will miss this amazing array of talent we have enjoyed–as one by one they fade away. But their music…their sublime and transcendent music… will surely endure.

 

 

 

 

 

 

 

NYC Serenade: My Springsteen Obsession

“If the Beatles were about love and the Stones about sex, then Bruce is about hope. And hope springs eternal…as in Springsteen.” –Elliott Murphy, singer-songwriter.

In a few days, my wife and I will be making a pilgrimage to NYC to see Bruce Springsteen on Broadway.

While we are a hyperlocal blog, I ask for your indulgence because I want to spend a few moments on E Street, where I have lived off and on since 1975, when I was 11 and “Born to Run” was released.

The album is a classic. And I was instantly hooked on all things Bruce.

My Springsteen fixation has lasted 43 years and it is safe to say that it will be with me—happily—for the rest of my days.

My close friends know how much I love music—a wide range of it—at least in my mind.

Classic rock, 70s music, 80s music, pop, 60s music, disco, New Wave, Sinatra—even Neil Diamond—to the consternation of my wife and my ultra-cool friend Pame’ Williams.

(Just as an aside, there is nothing wrong with Neil Diamond. No one else can sing about chairs (“I am, I said”) and E.T. (“Turn on Your Heartlight”) like Neil and make it sound good—to my ears anyway.

But I digress.

My big five are the Stones, Led Zeppelin, The Who, The Beatles and Bruce; especially The Beatles and Bruce.

Sadly, while I have unbridled passion for music, I have absolutely zero talent. I can’t even play air guitar, but still I cannot imagine a life without music.

From an early age, I’ve found inspiration, solace, joy, motivation and a hundred other useful emotions from listening to great artists from the Allman Brothers to Warren Zevon.

But Springsteen is a touchstone. He’s the well, the mountain top, the apex— for me anyway.

His songs are cinematic, his writing is poetry mixed with journalism and his live performances are indescribable.

I can’t wait to experience his genius in a small venue.

So now the local part…Consider this:

-I built a talk I gave to Creative Mornings at the Arts Garage around the magic of his songwriting. The topic: genius. You can see it here. https://www.youtube.com/watch?v=A5sz9scEoZ4

 

-E Street Band drummer “Mighty Max” Weinberg lives in Delray, played a benefit at the Arts Garage, loves Caffe Luna Rosa, has read our downtown master plan and has become a friend. They say never meet your heroes because you’ll be disappointed, but the truth is Max is just a great guy.

-Inspired by Bruce’s first album “Greetings from Asbury Park”, I based the design of the cover of my book “Adventures in Local Politics” on the album’s iconic poster card.

-Local event producer Bern Ryan might be an even bigger fan than I am—hard to imagine—but he’s seen Bruce and the E Street Band all over the world, in Asbury Park and on Broadway. Bern has warned me that three songs into “Springsteen on Broadway” that we will be in tears. (I cry when I read a Hallmark card so Bern’s probably correct).

Anyway, I don’t expect that everybody will get my happy obsession.

But let’s just say that music that touched my soul at age 11 resonates even more as I grow older.

Hope does spring eternal—and Springsteen’s music provides me with a reservoir of hope.

 

 

Imagine: Art Endures

Last week marked the 37th anniversary of John Lennon’s murder.
In three years, he will be gone as long as he lived.
For me and for millions of others, the loss still stings.
I was 16 when Howard Cosell broke the tragic news on Monday Night Football.
Although my friends and I were only six when The Beatles broke up in 1970, we were devoted and devout fans. Yes we missed the band when they were active, but we didn’t miss out on their music. It was a big part of our lives.
It still is.
Thanks to The Beatles Channel on Sirius XM I get to listen to the band on my morning commute to the office. It’s great to have The Beatles and the solo music of John Lennon as a part of my daily life.
Great music and great art endures. It’s timeless.
The issues of the day come and go—worries bubble up and fade– but a great song, a great movie, a great book, a great painting– they last.
And so the music of John Lennon endures.
My friends and I joined 225,000 people in Central Park a few days after the tragedy for a vigil to honor Lennon. It’s a memory that will last a lifetime; throngs of people singing, crying and trying to make sense of a senseless act of violence.

All over the world, people mourned. In Palm Beach, fans were welcomed onto the grounds of John and Yoko’s home to pray and grieve. It was interesting to read the coverage in the Palm Beach Daily News last week chronicling John and Yoko’s ties to our area.

Years later, hundreds of fans streamed  into a tent on the grounds of Old School Square to view Lennon’s art work– a testament to his lasting impact.
That’s the power of great art and great artists. Their work resonates and lasts.
Readers of this blog know that I’m a huge admirer of Bruce Springsteen another artist whose work has endured.
William Taylor, founding editor of Fast Company magazine, recently went to see “Springsteen on Broadway” which has gotten rave reviews. It’s an evening of intimate songs and stories about Bruce’s life. The magic of great art is that it somehow becomes about all of our lives. We gain insight and clarity from music, art, drama and literature.
Here’s what Mr. Taylor shared on Facebook.
“Well, some folks have asked, and now that we are back from NYC here is my very brief reaction to Springsteen on Broadway. The show is as overwhelming as people say it is. It is a funny, joyous, unbelievably personal celebration of life. It is also an aching, painful, unbelievably personal meditation on mortality, the unbearable sadness of so much of what happens to us and how it shapes us. What’s also striking is the sound. The theater is so small, the sound system so good, it feels like you are inside the guitars, like you can feel the strings on your skin.  And when Bruce, time and again, steps away from the mic and talks or sings directly to the audience, with no amplification, you truly can hear a pin drop. I am man enough to say I reached for the Kleenex three times, which actually showed some good emotional restraint. I know tickets are impossible, but keep trying….”
That’s the power of music. That’s the power of a great artist to touch and move an audience.

We won’t be talking about the small bore politics of the day six months from now never mind decades from now .
But we will be listening to John Lennon’s music.
Of that I’m certain.
When WPBT recently ran a special on The Beatles, we watched and smiled. The music is amazing. The chemistry still crackles.
It’s genius. Pure and simple.

Don’t It Feel Like Something From A Dream

“He had history, he had gravitas, he had insight, he was the antithesis of a prepubescent rocker, all poses and no substance. He’d lived, played bars, gone to shows, and when he finally put out a record…

It was the one he wanted to make.

Those are the ones that last. Not the ones made for a market, chasing a hit, but personal statements, of truth.” Bob Lefsetz on Tom Petty.
I grew up with Tom Petty and The Heartbreakers on the turntable and on the radio.
Saw him live many times including my first night in Florida in July ’87 when my best friend Scott and I christened my big move from NY to the Sunshine State with a Tom Petty show at the old West Palm Beach Auditorium  aka the ‘leaky teepee.’
Life seemed so infinite back then.
I was 22, living in the Sunshine and music was a huge part of my life.
Today, I’m 53, still living in the sunshine and music is still a big part of my life.
A great song has the ability to inspire, spark memories or evoke emotion. It’s magic. And Tom Petty was among the best magicians.
But my heroes are fading fast. Bowie, Gregg Allman, Glenn Frey, Lou Reed, George Harrison so many more–all gone.
John Lennon was the first musical icon whose tragic and violent loss hit me hard.
My same friend Scott, along with a few other friends took the train to NYC to join a vigil in Central Park. I will never forget it. How could John Lennon be gone?
Those friends are scattered now.
Scott left Florida for Virginia, one went to California for school and never came back and one became famous on ESPN. Others went to North Carolina, Wisconsin and New Jersey.
I suppose that’s life. We stay in touch as best we can but we will always have the music, if not the artist.
“Even the Losers (Get lucky sometime)” was on the radio in my ’68 Camaro when Scott and I had a near miss on a Long Island highway.
“Here Comes My Girl” gave us swagger (it never lasted) when the biggest thing in our life was working up the courage to talk to someone we thought was cute.
“The Waiting” got me through more than a few heartbreaks.
I fell for Stevie Nicks when she sang with Tom on “The Insider” and “Listen to Her Heart” became an anthem when you were hoping someone you liked would leave the bad guy and give us nice guys a shot.
Yesterday I was driving to a meeting blissfully unaware of what was going on and desperate for a moment of levity after a day full of horrific news out of Las Vegas when I turned on Tom Petty radio.
“Jamming Me” was on and I cranked it up as I cruised Swinton Avenue. The music instantly lifted my spirits. Pure rock n roll, with jangling guitars, hooks galore and Tom’s unmistakable voice…
And then I heard the news. Just like that. Gone…And it is just so hard to fathom like so much that happened on that terrible day.

And in the End..

8daysWe went to see the Ron Howard documentary Eight Days a Week over the weekend.
I’ve been a Beatles fan since childhood even though I was only six when the band broke up in 1970.
While the film, which chronicles The Beatles “touring years” (1963-1966), was available for streaming on Hulu we made the trek to Fort Lauderdale to watch it on the big screen at Cinema Paradiso, a converted church that is home to a non profit film club now known as Savor Films.
We even ran into a few Delray folks, who are also Beatles fanatics.
Watching the movie with other people is a communal experience and you could feel the emotion and energy radiating in the theater. Yes, The Beatles are still magical.
And it’s fun to think of why that is so.

Sure the music is incredible. It not only has held up for 50 plus years, if it’s possible it seems to get better with age.
Yes, the band also had amazing chemistry but there’s something deeper at play here.
I’m not sure it can ever be captured or completely diagnosed but one factor in the band’s enduring popularity are the feelings The Beatles are able to elicit. The music just makes you happy and conjures up all sorts of warm memories.
And because we seem to be in a somewhat dark place these days in America and elsewhere, the music elicits a few tears as well as we remember a better, more hopeful time.
The documentary emphasized the friendship and loyalty between John, Paul, George and Ringo. They were “mates”, protective of one another and fiercely loyal to the enterprise.
Until they weren’t and that’s when things went awry.
It was simple in the beginning, Paul relates and then it grew complicated before falling apart.
And perhaps there’s a lesson in that.
The need to be loyal.

The importance of friendship.

The power of passion and the enduring magic of community.

There’s also a poignant lesson to process.  Even the greatest things in life don’t last. There’s a beginning, a middle and an end.
Eight Days A Week captures the beginning of Beatlemania–a phenomenon never seen before or since. It’s a must see. If you love The Beatles you will be moved.
We were. We were also appreciative of the magic.
These four ‘cheeky’ lads from Liverpool  changed everything. They changed the world…for the better. What a concept.