
Vinyl memories.
I can’t part with my old albums.
I’ve thought about it. But I can’t.
Friends of mine have done so. One sold his entire collection. Another put his vinyl out to the curb years ago when the compact disc took over music.
But I just can’t do it.
I don’t play my albums. But I still cherish them.
Some years back, I bought a cheap turntable, but for some reason I couldn’t rekindle the old habit of sifting through my record bin to see what grabbed me. I do have at least one buddy who still spins his records. I envy him.
Still, I can’t bring myself to sell or donate my albums. And they will never go to the landfill—at least on my watch.
Why?
What explains our attachment to things we never use?
I think I’ve figured it out.
Albums are memories.
And I just can’t discard them.
Recently, my wife bought me a display “thingamabob” (I don’t know what else to call it) that holds albums. You hang it on the wall and place records into sixteen compartments. I finally have a place to put just such a display.
After years of plotting, wishing, and planning, I finally have a corner of the house I’ve turned into my very own mancave.
It’s a place where I can escape to write, make calls, and listen to music and podcasts without bothering anyone else—or being bothered.
The dogs follow me in when I retreat there. But they don’t have opinions on my listening habits and never critique what I’m writing. They play. Then they sleep on the couch. And I find their presence to be good company.
I have a golden retriever who purrs like a cat and a chihuahua who thinks he’s a lion.
They never judge.
They’re always content.
Gracie and Emmitt are a reminder of what’s possible if you can somehow figure out a way to live in the moment.
Anyway, we hung my thingamabob a few weeks ago. I got to sift through a bin of albums to populate the sixteen spaces.
I didn’t have to look at more than one bin before it was full.
Sixteen memories.
Sixteen albums.
The beauty of the display is that I can swap them out every few months and hang other memories. Half the fun is choosing what to display. The other half is standing back and looking at the finished piece of work—my little corner of the house that’s completely mine.
Sorry if that sounds selfish. But it’s nice to have some square footage that reflects my own taste. Or lack thereof.
Either way, I make no apologies.
If I want to display a Neil Diamond album, I will and proudly.
(Alas, Neil didn’t make the cut this time.)
I chose “Damn the Torpedoes” by Tom Petty & the Heartbreakers because I love Tom Petty, miss him now that he’s gone, but mostly because my late mother went to Sam Goody at the Smith Haven Mall when I was fifteen and home sick with something. She wanted to cheer me up. When she came home and handed me the record, I remember thinking:
I have the coolest mom.
Yes, “Even the Losers Get Lucky Sometime.” Petty fans will get the reference. My friend Scott will know that I’m referring to a near fatal car accident we luckily avoided when we were kids. Songs are also memories.
I picked Boston’s self-titled debut because I love the album cover and because every song on that remarkable record was good. Every. Single. Song.
I chose Bob Seger and CSNY because they’re great. Bob is retired now. Crosby has passed. We saw Graham Nash post-COVID in Coral Springs a few years back and he was so good. I’ve always loved Stephen Stills’ voice and Neil Young’s music.
I picked “Candy-O” by The Cars. I saw them twice at Nassau Coliseum with childhood friends. Ric Ocasek and Benjamin Orr are gone. But my friends are still here. Still in my life.
That matters.
I have a poster of every Beatles album on my wall, but I wanted the Fab Four represented, so I chose a slightly beaten-up copy of “McCartney” and “Rock and Roll” by John Lennon.
Maybe I’m amazed that I’m still very much a Beatles fanatic.
Bruce Springsteen didn’t make the cut either, because I already have huge framed photos celebrating “Born to Run” in my little corner of the house.
Jimi Hendrix did make it, though.
“Are You Experienced”?
At this stage of the game, I am.
But I wasn’t when I first got that album and marveled at Jimi’s prowess.
Inspired, I bought a cheap electric guitar from my backyard neighbor Bob. For twenty bucks it came with an amp that barely worked. I spent two whole weeks trying to figure out how to play before giving up my guitar hero dreams.
I defaulted to much more realistic aspirations:
Pitch for the Yankees.
Win Wimbledon.
Neither happened.
And yet things worked out.
I used my Dunlop Maxfli racquet as an air guitar. And I included my favorite Yankee, Thurman Munson, in my play “The Café on Main”. I owe Ron Guidry a shout-out in a future script. Oh how I loved to watch “Louisiana Lightning” pitch. (Those who know, know.)
Billy Joel made the wall because I’m feeling a particular way about Long Island these days.
So did Elvis Costello, who we saw perform at Jones Beach.
The Doobie Brothers are represented because I went to see them at Nassau Coliseum with a few friends. My buddy’s sister, Linda Cohn—future ESPN icon—drove us.
Linda liked hanging out with us, even though we were younger. We made her laugh. And we liked the fact that she knew a lot about sports.
A future hint of what was to come, delivered to us on rides in a Chevy Impala.
I think you get the drift.
There are two more bins of memories waiting to be displayed.
I look forward to sifting through the years.
As Billy Joel sang: “They say that these are not the best of times, but they’re the only times I’ve ever known.”
Here’s to the best of times.
Here’s to vinyl memories.
And here’s to having a space in your house free of color schemes, design rules, and any style other than your own.



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