A few months back, I wrote about a New Play Festival sponsored by the wonderful Delray Beach Playhouse.
I’ve been a writer longer than I can remember, but I’ve never written a play. I have two screenplays sitting in a drawer, but writing for the stage is not something that I ever had the nerve to try. Until now.
Last year, I wrote a short play entitled “The Cafe on Main”, and answered a call for submissions for the New Play Festival. My short work was one of 10 chosen, a surprising but wonderful development that has literally changed my life.
I cannot express the joy that I feel hearing my words acted out by talented actors who breathe life into the characters and find nuances in the play that I never knew existed.
The Cafe on Main is a place where love is given a second and sometimes third chance, says the description in the playbill.
The action takes place in an imaginary cafe in my hometown of Stony Brook, NY.
Stony Brook is kind of a magical place and growing up on the north shore of Long Island in the 70s and early 80s was an idyllic experience for me and most of my friends.
Stony Brook was a village, intimate and cozy, but close enough to New York City that we benefited from the energy and opportunities of the Big Apple.
Now 1970s NYC was a little different. There was crime and grime, graffiti and garbage. We had the Son of Sam, the Bronx was literally burning and my hero John Lennon was gunned down outside the Dakota building.
But we had Thurman Munson and Reggie Jackson, the Knicks, Rangers, Big East basketball, Tom Seaver and Joe Namath too.
It was all a short ride away on the Long Island Railroad.
But home was quiet and safe. It was pretty and suburban. But far. from boring. My hometown has a rich history going back to the Revolutionary War. Washington really did sleep here..so did his Setauket spies.
All of these images went through my mind when I sat down with an empty page and imagined a quaint, cozy Café overlooking the Village Green in picturesque Stony Brook.
Truth be told, my home for the last 37 years also was on my mind. The proprietor of my imaginary cafe was modeled—loosely—on my dear friend Fran Marincola, owner of Caffe Luna Rosa a Delray institution. If you know Fran, and most around these parts do, you understand that he’s a rich character. I had plenty of material to mine.
The New Play Festival features short plays and my original version of “Cafe” is a full blown production. To qualify, I had to cut characters and with the help of our magnificent director Marianne Regan, we pared down the back story of the proprietor.
Someday, I will tell his story in full.
We cast the five parts in July and I was floored by the talent that came to read for the 10 plays.
The directors ask the playwrights to draw up their wish list and I was thrilled when I landed my top picks for four of the five roles.
The wildcard was a young actress whom I liked but didn’t list as a top choice. Turns out she had to drop out and the role was recast with Diane Tyminski, an amazing actress of local note who happens to be from Long Island.
At rehearsals, she blew us away with her grasp of the character and the milieu.
Ahh rehearsals..this is where my life changed where I caught the theater bug and happily succumbed to the bliss of live theater.
The cast, Sergio Fuenzalida , Diane, Shelly Pittleman, Nancy Ferraro and Peter Salzer are extraordinary.
There was an immediate palpable bond among them and the chemistry was off the charts.
Watching them run the scenes and find the characters was not only fascinating it was moving.
There’s nothing like hearing your words come to life. It’s simply intoxicating.
Admittedly, I don’t have a frame of reference. It’s my first play. But I also saw the cast with tears in their eyes. They were as swept away as I was.
Honestly, I couldn’t believe it. But it was real and so I asked what they were feeling and they shared.
Going into rehearsals I was concerned that the actors wouldn’t connect with the material.
Was it good enough to engage them?
Now I was concerned that the initial emotion would be lost with more run throughs.
This is where the director comes in.
I had heard that Marianne Regan was good. Now I was seeing just how good she was. She knew what buttons to push, how to make the story move and she also knew not to over rehearse our talented cast.
And so the magic they captured was intact.
Leaving the theater after rehearsals I felt buoyant. I felt like you do when you discover a new love—excited, eager to share with my wife and friends and far less nervous for opening day. (The Festival is October 19-20 at 2 pm, my play runs Sunday. For tickets visit delrayplayhouse.org, they are expected to sell out).
Of course, I’m still a little nervous but I sure have confidence in this cast and director. I’m in good hands.
I don’t want this feeling to end.
Writing can be a lonely endeavor. It’s just you and the empty page sometimes joined by an inner critic, a chorus of doubt and these characters you imagine and try mightily to bring to life.
But this is the payoff. The chance to collaborate with talented people. The opportunity to share with an audience longing to be taken someplace different.
I realize how rare this is. How lucky I am. And I am grateful.
What a magnificent gift this historic old playhouse on Lake Ida gives to 10 writers a year. The actors too. There is so much talent waiting to be seen.
We are all enriched when there’s an outlet. It’s a noisy, often chaotic world. Monster hurricanes, divisive politics, so much coming at us at once and all the time.
To step into a theater and watch actors bring a story to life is a valuable gift.
I hope you will make it a point to visit and support the Delray Playhouse. It’s a charming place. A gem. And I hope you’ll try something new like I did. You never know where it might lead.
You never know if trying will better your life. It has mine.
