Delray Beach Playhouse | Your Delray Boca

Keep The Cannons Thundering (a nod to Jimmy Buffett)

The historic (and very beautiful) Delray Beach Playhouse has been giving a voice to local playwrights since 2019.

The hardest thing about writing, for me, is facing the blank page- Octavia Spencer.

I’ve heard various descriptions of the daunting blank page for as long as I can remember.

But I have a confession to make: I love the blank page.

I absolutely, positively crave the blank page.

In fact, nothing gives me more satisfaction than staring down that blank page and filling it with words and thoughts.

Now those thoughts may be well received or they may be despised; it doesn’t matter. The words may land or miss the mark. It doesn’t matter. Writing gives me joy.

I’ve written journalism, bad poetry, books, essays, blogs and plays. I’ve written editorials, columns, screenplays and love letters. I’ve enjoyed it all.

I love the challenge of the blank page. And I think as we get older, we need to find our own “blank page” in life and fill the space with gusto.

On my way to work this morning, I heard one of my favorite songs– “A Pirate Looks at 40” by Jimmy Buffett.

“The cannons don’t thunder,” he sings. “There’s nothin’ to plunder, I’m an over 40 victim of fate.”

It’s a poignant song, tempered by the knowledge that Jimmy Buffett was not that guy…he kept the cannons thundering until the end. My goodness, how I miss his presence on this Earth.

All of this is to say a heartfelt thanks to the good folks at the Delray Beach Playhouse for giving local playwrights a chance to fill their magnificent stage with our words.

This past weekend, 12 playwrights and a few dozen local actors and actresses brought 12 short plays to life at the annual Playwrights Festival. It was wonderful.

Two sell-out houses came to cheer our work. And I have to say there is no better feeling than to hear gifted actors speaking your words while you sit with an audience that is reacting to your work in real time. Talk about adrenaline!

My play was called “Love After Love.” It’s a love story that takes place just outside the playhouse on a bench overlooking picturesque Lake Ida.

Diane and I were there one day with our dogs Gracie and Emmitt, when I saw a lonely looking man staring straight ahead. Something about the scene struck me; maybe it was the way he braced himself against the wind, maybe it was the “thousand yard” stare he had as he looked at the water.

I built a story around that indelible image.

That’s the magic of theater, you can try to build a world around a simple image. I’m not sure I pulled it off, I’m still learning, but I sure am having fun.

This is the second year my work was in the festival. Last year, my play “The Cafe on Main” made its debut. It was the first play I wrote and it took all I had to hit send and give it a shot when I saw the call for entries. I encourage all of you to “hit send” and take a shot yourself whether it’s playwriting, poetry, painting or playing in a pickleball tournament.

I learned a lot from my director last year Marianne Regan and learned some more this year from “Love After Love’s” director Brenda Aulbach. The cast and tech crew taught me as well.

After last year’s amazing experience, I spent the next several months working on craft, taking a 10-minute play course by Delray’s own Arianna Rose, going to see plays at Theater Lab, reading plays, books about playwriting and listening to podcasts. I also started working with NY playwright Jack Canfora, a wonderful writer/teacher who has a way of making me see things I miss in my own writing and ideas.

It has been a magnificent journey.

I’m writing at night and early in the morning. In July, my short play “Press Conference” will be performed by a Massachusetts based company on Zoom and in August the same play will be performed on a stage outside Columbus, Ohio as part of a “Brave Voices” festival.

Inspired by my experience last year, I expanded “The Cafe on Main” into a full length play that will be performed at The Arts Garage, a venue and organization I adore. I’m also working on two additional full length plays that I’m excited about.

I don’t have any expectations or dreams of glory or riches (there’s not a lot of money in local and regional theater) but I’m having fun. Lots of fun. I picked up this hobby at age 60–so it’s never too late to try new things. My fellow playwrights this year include an actor/filmmaker, a mother of five who somehow finds the time to write and two writers who write laugh out loud comedy–that’s no an easy feat.

The blank page doesn’t scare me, or them I suppose. But the blank page does represent possibility and promise. We can create new worlds if we try and if we dare to “hit send.”

“I began to realize how important it was to be an enthusiast in life. If you are interested in something, no matter what it is, go at it full speed. Embrace it with both arms, hug it, love it and above all become passionate about it. Lukewarm is no good.” – Roald Dahl

Bringing Stories To Life

The beautiful Delray Beach Playhouse.

A few weeks ago, I shared with you that I was writing a play.

Well…I submitted my work for a new play festival sponsored by the Delray Beach Playhouse.

I’m pleased—and somewhat shocked to announce—that my play was chosen as one of 10 to be performed at the festival October 19-20.

I am beyond thrilled by this news.

First, it was all I could do to muster the nerve to hit send a few months back. I’m very much a beginner in this world so sharing my work felt more than a little overwhelming.

Second, I had to scramble to re-write my play, which is much longer than the 10-20 page requirement of the festival. That’s not easy, I cut out two characters, condensed scenes and tried my best to stick to the rules.

I’ve known about this competition for over a year and thought maybe… just maybe… I should give it a go. After all, as Wayne Gretzky once said: “you miss 100 percent of the shots you don’t take.”

But because my play “The Cafe on Main” is conceived as a full-length piece, I thought I’d write something else for the festival.

I started on another idea: “The Ghosts of Lake Ida” before writing myself into a ditch. It happens. Writing isn’t easy. There are lots of ditches when you sit staring at a blank page—it’s easy to give up.

But I didn’t.

So, with “Ghosts” retired (for now) I went back to the Café on Main and shortened it, with no time to spare before the deadline. When I hit the send button, I felt a jolt of satisfaction and relief. No matter what happened, I figured I was in the game.

When I learned that the play was selected, I was overwhelmed with excitement. I love to write, but fiction and specifically playwriting is new to me, and I was forced to use and develop a new set of creative muscles. I think it’s healthy on the eve of my 60^th birthday to try something new. I would encourage all of you to do the same.

The experience with the Delray Beach Playhouse has been nothing short of joyful. Marianne Regan is the director who spearheads this effort and it’s a big one. The competition attracts a fair number of submissions, and the commitment is real: reading, judging, casting, rehearsals, marketing, ticket sales and technical production. It’s something to behold—at least for this rookie.

I spent a recent weekend watching over 130 actors read for various parts in the plays that were selected. I was amazed at the talent that showed up on a holiday weekend to snag a role in never-before-seen dramas and comedies.

We saw actors and actresses of all ages—each so talented, everyone bringing their own creativity to the roles. I got to meet several playwrights—all so talented. When I heard their work, I was blown away and to be honest a little bit intimidated. I’m not sure I’m in their league. But here I am and it has been a joyous experience.

When I first heard my words being recited by talented actors I had a visceral reaction. My wife and I teared up when Peter Salzer and Nancy Ferraro auditioned. Their chemistry was off the charts—they were creating magic right in front of us making my words come to life in a way I could never fathom.

I thought back to those sleepless nights writing away on my iPhone app in the dark trying to fashion believable dialogue—trying to tell a story, trying to write something that might stir an audience’s emotions.

Hearing these actors and actresses read various scenes and bring them to life—stirred something deep inside of me. I think I caught the bug—four years post-Covid– this is the bug I want to catch. The desire to be creative, the desire to try new things, the willingness to be vulnerable despite those nagging doubts that stop so many of us. That’s the bug I want to catch, keep and explore.

I didn’t write “Hamilton” but that’s Ok. It’s my first effort and I’m committed to learning more about this wonderful art form.

In October, I will walk nervously into the beautiful 77-year-old playhouse overlooking Lake Ida and watch five talented cast members make magic. I sure hope the audience will like it, but even if they don’t, I’ll be happy and forever grateful to my hometown playhouse for giving me and others a chance.